A Renaissance-flavoured humanist serif duo after Philippe Galle's engravings and Plantin's printing.
About
Naomi Niez drew Gargantua & Pantagruel from sixteenth-century engravings by Philippe Galle and the printed matter of Christophe Plantin's workshop. It comes as two related families, Gargantua and Pantagruel, each with a Regular and an Italic, for display and text. Named after Rabelais's giants, which suits its old-book warmth.
Classification
A humanist serif duo after sixteenth-century engravings by Philippe Galle and printing from Christophe Plantin's workshop. Two subfamilies, Gargantua and Pantagruel, each with a Regular and an Italic; the foundry pitches the pair for display and text.
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