A single-weight experimental display face by Fer Cozzi, built around graffiti and urban visual culture, with four structural variants for each letter drawing on the rhythms and aesthetics of hip hop.
About
Each glyph in Tomasa offers four structural variants, reflecting the diversity and dynamism of street lettering rather than typographic consistency. The design draws explicitly from graffiti tags and urban signage, treating the letter as a site of visual exploration. Named in tribute to Chilean neoperreo artist Tomasa del Real, the typeface carries cultural specificity alongside its formal ambition.
Classification
A single-weight experimental display face with four structural variants per letter, drawing on graffiti, tags and urban visual culture rather than conventional typographic traditions. Its expressive, irregular forms place it firmly in the display category.
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