A contemporary grotesque spanning Thin to Black, defined by sharp diagonal cuts and tight counters that introduce tension into an otherwise sober, utilitarian structure.
About
Compact proportions and closed apertures produce a dense typographic rhythm, while angular cuts and diagonal terminals give each weight a precise, almost abrasive character. The family covers twelve styles from Thin to Black, each with a matching italic designed in collaboration with Matt Burvill. Kerning and spacing were handled by Igino Marini.
Classification
A contemporary grotesque with consistent vertical stress and minimal stroke contrast, distinguished by sharp angular cuts and diagonal terminals that give it an abrasive edge against otherwise sober proportions.
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